History of the Suit: The Evolution of Menswear from 1800 to Today

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Even though many elements of the suit as we know it today have remained unchanged since its inception, there are certainly differences in the details of a suit from 2020 compared to a suit from the 1980s or 1940s. To understand those differences, let’s trace the history of the suit, from its origins to the modern era.

What Exactly Is A Suit?

The term “suit” is derived from the French term suivre. which means “to follow.” In other words, the jacket follows the pants or vice versa. So, a suit is a combination of a jacket and a pair of pants in a matching fabric. It’s not just the color of the garments that is the same, but also the fabric composition.

Sven Raphael Schneider wearing a rust-colored, single-breasted herringbone suit with a contrasting vest and tan full brogue boots

Sven Raphael Schneider wearing a rust-colored, single-breasted herringbone suit with a contrasting vest and tan full brogue boots

Beau Brummell & The French Revolution

Like many aspects of classic menswear, the origins of the suit can also be traced back to Beau Brummell. He was the prototypical gent in 19th century England. Before Beau Brummell, menswear was heavily influenced by the French court, and evolved around heavily embroidered fabrics such as velvet, knee-breeches, and stockings. Beau Brummell replaced all of this with long trousers worn with boots, and a coat that didn’t have much ornamentation or color.

Beau Brummell's daytime look

A rendition of Beau Brummell in his typical daytime attire.

Frankly, Brummell may not have been the first one to simplify the classic French men’s wardrobe, because at that point in time, the more traditional dress had already become unpopular. French menswear was negatively associated with the French Revolution, and people who wore it were sometimes beheaded by the guillotine. Nevertheless, Beau Brummell definitely popularized the new, less ornamental style. While the top and the bottom of Beau Brummell’s outfits didn’t exactly match, the whole silhouette and the more muted color scheme laid the groundwork for the modern suit, as we know it today.

The Victorian Era

The Frock Coat

By the start of the Victorian era (which lasted from 1837 to 1901), the first and foremost garment a man would wear was a frock coat. It was basically a black coat that resembles modern overcoats. It had a single vent in the back and was either single- or double-breasted. In terms of length, it reached down all the way to the knees; that’s why it resembles an overcoat. While the single-breasted version of a frock coat was more common, the double-breasted version was more formal (and was also known as the Prince Albert).

Men's Clothing in the 1920's frock coat, slim shoulders & narrow trousers

Men’s Clothing in the 1920’s frock coat, slim shoulders & narrow trousers

Later in the Victorian era, the frock coat basically split up into two different elements. On the one hand, we had the morning coat that kept the tails; on the other hand, we had the lounge suit which lost them. While the morning suit retained the length, it now had open quarters rather than the closed quarters of a frock coat, often had just a single button, and wasn’t double-breasted anymore.

At the time, it became the number one option for formal daywear–but in today’s world, it’s even more formal, and typically only worn at Royal Weddings or high society weddings. In England, you may still see the common man wearing a morning coat for his wedding, but in the US and outside of England, it’s typically just done in very certain circles, either by people who really appreciate classic men’s clothing or because they have a certain status in society.

SRS in a morning coat

SRS in a morning coat

While frock coats and morning coats could technically be worn with matching a pair of trousers, more often, they were worn with contrasting trousers. Still in a darker color scheme but nevertheless, they weren’t made out of matching fabric. On the other hand, the lounge suit consists of a top and bottom of the matching fabric. Because of that, the lounge suit was also known colloquially as “dittoes.”

The Lounge Suit

The lounge suit was originally developed in the 1850s to the 1860s in Scotland. It was made out of heavier fabric and was meant to be a garment for casual outdoor occasions. Nowadays, in the mind of most people, a suit is a very formal garment, but during the Victorian era it was the opposite. It was a casual garment that was not meant to be formal at all.

The Lounge Suit

The Lounge Suit

Specifically, the matching aspect of trousers and pants made it less formal, because frock coats and morning coats were worn with somewhat contrasting trousers. Another difference was obviously the length. It was a much shorter coat without the tails and was cut more sack-like without pronounced front darts.

As the name implies, the lounge suit was primarily a garment for the casual lounge, something to be comfortable in, especially in the British countryside. Of course, at the time, central heating was not the norm, and so suits were always worn with a vest or a waistcoat that was matching so you always had a three-piece suit.

The 20th Century

As we started the 20th century, the suit, as we know it today, was pretty much developed. From that point on, the shape was defined, it was merely the details that changed. It could be the lapel width, the jacket length, the buttoning point, the height of the gorge, the type of fabrics that were used, but overall, it was just an adaptation to an existing model.

A fashion plate from New York (1899), depicting a frock coat, morning coat, and lounge suit–to be worn as long as the sun was out.

The Edwardian Era (1910s)

In the first decade of the 1900s, which is also known as the Edwardian era, the lounge suit persisted. It became more and more popular. The more formal frock coats and morning coats were still around and were typically worn by older men but they lost ground very quickly.

If you ever had a chance to touch a suit from the Edwardian era, you’ll notice that the fabric is extremely heavy and coarse because, on the one hand, the fabric finishing wasn’t as refined as it is today and on the other hand, it was quite expensive and again, there was no central heating and because of that, suits had to be worn inside. Many households still heated with coal and cities were, in general, a dirty sooty place to be. Because of that, the city’s suit was typically tailored out of darker colored fabric.

Downton Abbey has brought shooting back into popularity

Downton Abbey has brought shooting back into popularity

On the flipside, country suits typically had more patterns and brown tones in them. For example, if you watch the first episodes of Downton Abbey today, you can see the trend that country suits are less formal and more colorful than their city suit counterparts.


Gatsby’s iconic pink suit

The Roaring 1920s

The 1920s were an exciting decade for the suit as it went from super slim to fuller towards the end. Right after World War I, the suit had a strong military influence. The jacket was cut trim, maybe slightly longer at a higher buttoning point, and trousers were quite slim with cuffs and relatively short, however, by the end of the decade, fashion-forward suits already had the precursor of the drape suit which meant there was more fabric in the chest and also the pants were cut a little wider. Drape and the drape suit really became popular in 1930s England in the US.

During the 20s, trousers all had a very high rise especially compared to today’s pants. All jackets were cut pretty tightly towards the beginning of the 1920s, towards the end, they had become wider in the shoulder with a bit more waist suppression and in combination with the high rise pants, you get that visual illusion of longer legs and a pronounced waistline.

While the pant legs initially touched the sock, by the end of the decade, the most fashion-forward suits had an opening of 11.5 inches. However, it wasn’t a flare cut, it was a straight cut and sometimes even a tapered cut so there was lots of room in your trousers. If you want to get a better idea of this style in action, you may want to watch the series Jeeves and Wooster.

Because it was the roaring 20s, which is also known as the Jazz Age, the big difference in terms of suiting materials was that they were more stylish, there was more flash, there were more colors, more patterns, and everything was bit more lively compared to previous generations of suits. There was also an increasing interest in accessorizing their suits with, let’s say, pocket squares or shirts with collar pins. In the end, it was a rebellion towards the tradition of having dark suits and muted colors without bold patterns.

For example, if you watch the show Boardwalk Empire, you see exactly what I mean. You see really loud suits in bold colors, stripes, and it’s just a very interesting time for the suit. Likewise, the Great Gatsby reflects this perfectly with his pink suit.

The 1920s were also known for the double-breasted waistcoat which was typically worn underneath a single breasted jacket with notch lapels. Today, they would be considered quite unusual. If you see a double-breasted waistcoat, it typically features a jacket with a single or maybe two buttons and peak lapels. You’d also won’t button the jacket in order to show the double-breasted waistcoat.

The Drape Cut - London Lounge

The Drape Cut – London Lounge

The Golden Age of Classic Menswear (1930s)

The 1930s were characterized by a suit that had a heavy drape cut with a wide shoulder, a lot of waist suppression, high-rise trousers that were just cut very full and just tapered slightly towards the shoes. It was the number one style in England and in the US but also, places like Vienna.

Portrait of Clark Gable 1940'S with single breasted 3-roll 2 suit and horizontal tie bar

Portrait of Clark Gable 1940’S with single breasted 3-roll 2 suit and horizontal tie bar

Jackets were typically a bit longer and had no vents in the back for an ideal clean line when you would stand. Also bear in mind, the fabrics were sold quite heavy so they draped really well and they didn’t wrinkle very much. The look was very masculine and it built the basis of a very heroic look on the silver screen. Just look at Cary Grant or Clark Gable who perfectly used the suit to underline their personalities in the movies. 

Overall, I’d say a 1930s drape style was a little more refined, more tapered towards the leg compared to the late 20s suits. Even today, the 1930s are often referred to as the Golden Age of classic menswear in big part because of the way the suits were designed and you can learn more about that to get a better idea of it by checking out our ebook Gentlemen of the Golden Age.

Laurence Fellows Man 1941

Laurence Fellows Man 1941

The 1940s

In the following decade, the suit changed a lot. World War II meant that everything had to be rationed and so there was no more fabric for these elaborate full-cut large suits. Instead, the 1940 suits were characterized by minimalism. The gray flannel suit became the option of choice for professional everyday wear, it wasn’t double-breasted, it was single breasted, it had narrow lapels and a very trim cut trouser without cuffs in order to save fabric.

For the same reasons, waistcoats or vests became unpopular and if you look at the suit from the 1940s, it is very close to the fashion of a 2020 suit because it’s lean and trimmed and overall, very slim. Of course, the fabrics were still a lot heavier than they are today and they also had a bit more texture than what you would get today.

The exception in the 1940s minimal suit was the rebellious Zoot suit. It was a product of the counterculture rebellion youth, particularly in African American and Mexican communities. They had really baggy pants, a long jacket, and everything was oversized and excessive. The shoulders were super padded and often, people criticized it as being unpatriotic because it put your own idea of fashion beyond the rationing of fabric.

Double Breasted Suit in the Early 1950's

Double Breasted Suit in the Early 1950’s

The 1950s

During the 1950s, the post-war rebellion definitely had an impact on the suit. To the end of austerity, some people went back to the suit style from before the war so lapels came wider, pants had pleats again, and it wasn’t as slim anymore.

Pleated pants were particularly popular because they allow for a range of movement and more comfort and that, by the way, is still true today. The vest in a three-piece suit continued to decline because central heating was more or less well established at the time and so the need for extra heat inside had vanished. Again, it was a post-war period and just like after the 1920s when there was this post-war rebellion against the previous generation’s style, the same thing happened in the 50s.

It wasn’t just the zoot suit but many other young men rebelled against the style of their fathers and grandfathers by wearing t-shirts or jeans or leather jackets. Another example of this rebellion, maybe so in a more subtle way, was the Ivy League style which was epitomized by the sack suit style jacket. It is usually defined by a three-roll-two jacket with a single center vent and pants without pleats.

The other style of jacket was always single breasted and had very little or no padding in the shoulders which made for a very natural silhouette which is more closely associated with Italy today but in fact, the Americans have done that for a long time too. This was a time when Brooks Brothers really dominated in American history and overall, the casualization of clothes also didn’t take hold of the suit so Ivy League style was characterized by combinations, more so than the suit. Yes, the suit was still around but sport coats have become more popular due to their increased texture and color variation.

At the end of the 50s, we saw yet another subculture in suits known as the Mod suit. It was slim-fitting with narrow lapels. It was worn with narrow ties, non-pleated pants that were very thin and straight cut. For good examples of 1950 suits, you can look at Frank Sinatra or the Rat Pack, they really epitomized the style of the time.

Brown & Grey Suit 1960s Style

Brown & Grey Suit 1960s Style

The 1960s

During the 1960s, the style of the 50s was more or less extended when it came to suits. So you had closely fitting suits with some shoulder paddings that were worn with narrow ties. Trousers were rather narrow, a little more tapered towards the ankle and short so you wouldn’t see a break on the shoe. Even if there were cuffs or no cuffs, fabrics were still rather heavy and textured but they made some advancements and now added nylon and new artificial fibers to the fabric because that was a new thing.

At that same vein, sport coats with bolder patterns seem to be favored for more muted ones. A good glimpse of the style of the 60s can be seen in this series Mad Men where you can see, for example, people wearing bold plaid coats, slim suits to the office. The style definitely came to halt in the 1970s which can be considered to be a low point in the history of the suit and men’s fashion, in general.

Polyester was king in the 1960s and 1970s

Polyester was king in the 1960s and 1970s, making clothes more affordable and easier to wash

The 1970s

Suits were still relatively tight but had really big lapels, they were rather flashy, and pants oftentimes in a flare cut. Interestingly, the 70s sort of returned the three-piece suit but it wasn’t formal at all. It was rather casual and more part of the disco culture. Just think of John Travolta in Saturday Night Fever. Along with the bright colors, synthetics were now predominantly used in the 1970s suits which didn’t make them better in the long term and just overall, it was a decade to be forgotten.

Michael Douglas as Gordon Gekko

Michael Douglas as Gordon Gekko

The 1980s

The 80s, on the other hand, were a lot better for the suit. If we had to break it down to one thing, it would probably be the power suit. It was popularized first by Richard Gere as American Gigolo but also on TV by Miami Vice.

The central figure in this suit silhouette was Giorgio Armani. The Italian had a suit jacket that was soft yet broad in the shoulders, had wider lapels with a much lower gorge yet a very very little buttoning point. Overall, Armani created a very defining suit silhouette but today, it is easily dated as the 1980s because of that.

Another great example of the power suit was the stuff that Michael Douglas wore is Gordon Gekko in the film Wall Street. All of those suits were designed by Alan Flusser and they’re the epitome of what a power suit is to this day. In short, you saw the return of the double-breasted suit, you saw pinstripes again and full-cut pants.

Despite the fact that Armani essentially reduced the structure of the suit and made it very soft, it was still considered to be something that had strong or large shoulders and a defiant silhouette. In general, the 80s were a time of excess and a celebration of capitalism and the power suit was a direct expression of that time.



The 1990s

The next decade is another low point of the suit. They basically took the worst aspects of the 80s suits, pronounced it, made it even more ugly. The 90s suit was more clownish; single breasted jackets sometimes had three or even four buttons, double-breasted ones had six buttons but only the very bottom one was buttoned on an extremely low buttoning point so just the proportions looked off. Pants were boxy and baggy and were too long and puddled around the ankles.

The New Millennium

Tom Ford

Tom Ford

The 2000s

In contrast to that, the early 2000s saw the return of the slim fit suit. The new millennium brought a total reaction to the fully cut puddling suits of the 80s and 90s and went back more to a minimalist style that we had seen before in the 40s. Some would even argue that it went back more to a 1960s mod style suit.

Not only did the suit get slimmer but it also got shorter and the buttoning point got higher. At the same time, some people preferred to wear the black suit as an easy way to create a minimalist uniform that was reduced. Pants were often hemmed quite short, jackets had narrow lapels, and a perfect example of that is Tom Brown which made extremely short jackets and pants. Others like Tom Ford, for example, had still slimmer cut suits but they weren’t as extreme. Because of that, Tom Ford suits can still be worn today versus Tom Brown suits are more a fashion statement than something a regular man would wear in an everyday setting.

Modern cut three piece suit with simple white linen pocket square and printed tie

Modern cut three piece suit with simple white linen pocket square and printed tie

The 2010s

In the following decade, society, in general, became more casual and the need for a suit really disappeared. At the same time, there has been a resurgence in classic men’s clothing of people who don’t have to wear a suit but who intentionally want to wear a suit because they like the look of it and how it makes them feel.

While popular suits, in general, are still slim, the gorge on the jacket has moved further up especially for peak lapel jackets and the buttoning point has come up also. Sometimes, the jackets have even gotten shorter to the extent where they don’t even cover part of your bum anymore. Suit Supply became a worldwide phenomenon reflecting this trend towards a slimmer shorter jacket, higher buttoning point suit. Likewise, Internet technology enabled all entrepreneurs to come up with online made-to-measure services so people can customize their suit online without the need of having to see a tailor.

Nevertheless, with the general resurgence and interest in the topic of suits and classic menswear, there are probably more bespoke tailors today than there were 20 years ago. Thanks to the Internet, interest groups from all across the world can now connect, share, and drop their knowledge and so the general knowledge about the suit and classic men’s style has definitely increased.

In most recent years, the casual three-roll-two jacket with more natural shoulders in a slim silhouette and sometimes even string trousers have become more popular, so it’s all about getting more casual with more texture and brighter colors in a jacket that is soft and unstructured and sometimes, even made out of a knit fabric which is extremely flexible and feels more like wearing a sweater rather than a traditional suit jacket.

So, what will the following decade mean for the suit? It’s hard to tell but we, at the Gentleman’s Gazette, will always focus on the classic style that is still relevant in the present.

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